Frank-Michael Erben
"Play and conduct"

Conductor, Violin

Frank-Michael Erben is one of the most versatile artists of his generation. Growing up in a family of musicians in Leipzig, he gave his first public concerts at the age of 9 and was appointed first concertmaster of the Gewandhaus Orchestra at the age of 21 while still studying with Prof. Klaus Hertel at the Leipzig University of Music “Felix Mendelssohn Bartholdy”. Since then, Erben has performed as a soloist in Europe, America and the Middle East. 

He has made guest appearances with numerous orchestras in Germany, the Athens State Orchestra, the Orchestra Municipal Santiago de Chile and the Herzliya Chamber Orchestra in Israel. With the Gewandhaus Orchestra alone, he has performed violin concertos by Bach, Mozart, Beethoven, Mendelssohn, Bruch, Tchaikovsky, Sibelius and Korngold, as well as Schubert's Rondo in A major, Ravel's “Zigane” and Saint-Saëns' “Introduction and Rondo Capriccioso”.

He has been accompanied by conductors such as Kurt Masur, Sir Neville Mariner, Herbert Blomstedt, Riccardo Chailly and Dimitri Kitajenko. Most recently, Erben played Haydn's Sinfonia Concertante under Andris Nelsons in Boston's Symphony Hall. He toured Europe as a soloist with the Gewandhaus Orchestra in Mendelssohn's Violin Concerto. The live recording of this work conducted by Kurt Masur was released on DVD by the Arthaus label. With pianist Alfredo Perl, he recently recorded all of L.v. Beethoven's violin sonatas as a video production. The pianist Charlotte Steppes has been his duo partner since 2023.

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Bildunterschrift
Ludwig van Beethoven: Kreutzersonate op. 47 A-Dur - Mendelssohn-Haus Leipzig
Bildunterschrift

News

Vorschau Bild zu Frank-Michael Erben
© Adam Markowski

16.11.2024

Frank-Michael Erben

Erfurt Philharmonic Orchestra “play and conduct”

Violinist and conductor Frank-Michael Erben performed at the Erfurt Theater on 7 and 8 November 2024. The performance of works by Bach, Schumann and Mendelssohn was an impressive experience for both the musicians and the audience. 

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